If you’re driving a car and have to make a sharp turn at the end of the block, you probably slow down and signal before proceeding. It’s easier on your brakes and tires—and on the drivers following you.

In the same, way, it’s a good idea to transition smoothly from music that reflects the rather dire readings of the end of the liturgical year into the music of Advent’s watchful waiting. They are connected, of course. Advent is not just about anticipation of the birth of the infant Jesus, but more about the fullness of the reign of God at the end of time, and Jesus’ return to gather up his own.

Try looking ahead to the music you might choose for Advent and see how it can be used for the end of Ordinary Time and the feast of Christ the King. For example, you can sing the traditional chant, “Creator of the Stars of Night (CONDITOR ALMA SIDERUM),” omitting the third verse until at least mid-Advent. Its message will stand out more clearly, so that when the “child of Mary” verse does reappear, it’s in a sturdy, universal eschatological context.

  “The King Shall Come When Morning Dawns (MORNING SONG)” works the same way to connect the Sundays leading up to the feast of Christ the King with the Sundays of Advent. John Foley’s marvelous “Patience, People” is perfect for harvest time, the contemplation of end times and the longing for the Lord’s return.

Slow down and signal, before proceeding into Advent. It’s easier on those you expect to follow you.