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Reading I: Acts 1:15-17, 20a, 20c-26

In the narrative of Acts, the choice of Matthias occupies the twelve-day interval between the Ascension and the day of Pentecost. It is therefore appropriately read on this Sunday, thus breaking the consecutive order in which the excerpts from Acts have been read during the Easter season.

This passage, like so many of the pericopes in Acts, combines earlier tradition with the authors redaction. There is no reason to doubt that the basic factual nucleus is historical.

The number of the Twelve has to be made up after the defection of Judas by choosing one from among those who had received a resurrection appearance (one of the five hundred in 1 Cor 15:6?).

Later tradition brought in the citation from Psalm 69 as an apologetic text for Judas’ defection. Luke then wrote up the whole to express his own doctrine of apostleship.

The original function of the Twelve was distinct from that of the apostolate (see 1 Cor 15:5, 7). The Twelve had been appointed by the earthly Jesus as a sign of the eschatological community, the new Israel, which was to be the outcome of his work.

As recipients of the second resurrection appearance after Peter, they became the foundation of the eschatological community. The choice of the twelfth man would have preserved this eschatological significance.

Later tradition tended more and more to make the Twelve as such apostles. The apostles, on the other hand, were originally missionaries, sent out to proclaim the gospel. The Twelve and the apostles formed overlapping circles.

Luke carried further the later tendency, already discernible in Mark and Matthew, to make the Twelve as such apostles by practically confining the apostolate to the Twelve.

He also defines the function of the apostolate as witness to the original saving history of both the earthly ministry of Jesus and his resurrection.

The apostles thus serve as a bridge between the earthly Jesus and the ongoing life of the Church, a paramount concern of Luke’s.


Responsorial Psalm: 103:1-2, 11-12, 19-20

This psalm of thanksgiving is used on a number of occasions. Today the final stanza is highlighted by the response, “The Lord has set his throne in heaven,” thus making the psalm one of thanksgiving for the ascension of Christ.


Reading II: 1 John 4:11-16

This reading follows immediately upon the second reading of last Sunday, and in typical Johannine fashion it repeats the themes of the earlier passage with slight variation: the love of God; the duty of love for one another; the mutual indwelling of God in the faithful and of the faithful in God; the definition of God as love, in the sense of the saving event.

As usual in such Johannine repetition, a new point is made. That new point is that this mutual indwelling is exhibited in the confession of Jesus as the Son of God.


Gospel: John 15:9-17

We spoke in series A of this chapter, the high priestly prayer of Christ at the Last Supper or, as it has been called by some exegetes, the prayer of consecration.

In a way it represents the Johannine equivalent of the words of institution, in which Christ consecrates himself as the messianic sacrifice and offers the benefit of his sacrifice for the disciples to partake of in advance.

In the Johannine prayer he consecrates himself so that his disciples may be consecrated for their mission and be preserved in unity and truth amid persecution.

At first sight, it might be thought that this reading would be more appropriate for Holy Thursday. It would certainly not be inappropriate there, but we have to recall that in Johannine parlance “I am coming to thee” refers to the whole process of the death, resurrection, and ascension of Christ, and so it is just as meaningful today.

As a result of Jesus’ departure, the mission of the apostles is inaugurated. So the prayer looks forward to Pentecost and beyond, to the mission of the Church

Reginald H. Fuller
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Preaching the Lectionary:
The Word of God for the Church Today

Reginald H. Fuller and Daniel Westberg. Liturgical Press. 1984. (Revised Edition).

Preaching the Lectionary

Liturgical Press


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Art by Martin Erspamer, OSB
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