"The Word was made flesh, he lived among us, and we saw his glory."
"While
everything was hushed and still, and night was half way
through its course, your almighty Word, O Lord, leaped
down from your royal throne in the heavens."
In this
text of scripture, written long before, the most sacred
moment of all time is made known to us, the moment when
God’s almighty Word would leave his Father’s tender embrace
and come down into his mother’s womb to bring us his message
of salvation.
"For God, who in many and various ways
in the past spoke to our fathers through the prophets,
in these last days has spoken to us through his Son, declaring:
This is my beloved Son in whom l am well pleased; listen
to him."
And so from his royal throne the Word of God
came to us, humbling himself in order to raise us up, becoming
poor to make us rich, and human to make us divine.
But the people he was to redeem needed to have great trust and hope that the
word would come to them with effective power. Hence the description of God’s
Word as almighty: "Your almighty Word" the Bible calls him.
So lost, so
wholly abandoned to unhappiness was the human race, that it could only trust
in a word that was almighty; otherwise it would experience no more than a weak
and tremulous hope of being set free from sin and its effects.
To give poor lost
humanity an absolute assurance of being saved, the Word that came to save it
was therefore called almighty.
And see how truly almighty was that Word.
When "neither heaven nor anything
under the heavens as yet had any existence, he spoke and they came into being," made
out of nothing. The almighty power of the Word created substance and shape simultaneously.
At
his command, “Let there be a world,” the world came into being,
and when he decreed, “Let there be human beings,” human beings were
created.
But the Word of God did not remake his creatures as easily as he made them. He
made them by simply giving a command; he remade them by dying. He made them by
commanding; he remade them by suffering.
“You have burdened me,” he
told them, “with your sinning. To direct and govern the whole fabric of
the world is no effort for me, for 'I have power to reach from one end of the
earth to the other and to order all things as I please.' It is only human
beings, with their obstinate disregard for the law I laid down for them who
have caused me distress by their sins. That is why I came down from my royal
throne,
why I did not shrink from enclosing myself in the Virgin’s womb nor from entering
into a personal union with poor lost humanity. A newborn babe in swaddling
bands, I lay in a manger, since the Creator of the world could find no room
at the inn.”
And
so there came a deep silence. Everything was still. The voices
of prophets and apostles were hushed, since the prophets
had already delivered their message,
while the time for the apostles’ preaching had yet to come.
Between these
two proclamations a period of silence intervened, and in
the midst of this silence
the Father’s almighty Word leaped down from his royal throne.
There is a
beautiful fitness here: in the intervening silence the mediator
between God and the human
race also intervened, coming as a human being to human beings, as a mortal
to mortals, to save the dead from death.
I pray that the Word of the Lord may come again today to
those who are silent, and that we may hear what the Lord
God says to us in our hearts.
Let us silence
the desires and importunings of the flesh and the vainglorious fantasies
of our imagination, so that we can freely hear what the
Spirit
is saying; for the Spirit
is always speaking to us, but as long as we fix our attention upon other
things, we fail to hear what the Spirit is saying.
(Sermon
1 on Christmas: SC 192, 45.52.60)
Julian of Vezalay (1080-1160)
was a Benedictine monk who, in the later years of his life,
was given responsibility for the spiritual life of his community.
His famous sermons, twenty-seven of which were published,
show a knowledge of Latin classics and Greek philosophy,
especially that of Plato, a strong attachment to patristic
traditions, and a discrete use of allegory.
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