In Mark’s passion
story, of the Twelve disciples hand picked by Jesus one betrayed
him (14:10), another denied him (14:66-72), and all abandoned
him at his greatest moment of need (14:50). If these intimate
followers of Jesus were absent for all the events of the
passion, where did Mark obtain the information he reports?
Some scholars believe that the story already existed in a relatively fixed form
prior to any evangelist’s writing. Mark simply reported what tradition had already
formulated.
Others believe that Mark crafted the story of Jesus’ passion and death as an
integral part of his Gospel. Still others, noting many allusions to the Hebrew
Scriptures such as Psalms 22 and 69 and the Servant Songs of Isaiah, propose
that the story took shape in liturgical commemorations of Jesus’ death.
As the early followers of Jesus reflected upon his suffering and death, they
resorted to the Hebrew Bible for insight. This was the only Scripture they knew.
Very likely a combination of all these elements contributed to the composition
of Mark’s passion story.
While traditional Scripture scholarship on the passion narrative focuses on the
relationship of tradition to the creative activity of the evangelist, some contemporary
scholars look to Mediterranean culture for brighter light. Culture offers at
least two insights: honor and shame, and pain and suffering.
Honor and Shame
The Mediterranean core values of honor and shame resonate throughout. During
Jesus’ lifetime, no antagonist succeeded in shaming him. Jesus successfully protected
his honor against all attacks.
By contrast in the passion, a tradition older than the rest of the Gospel narratives,
Jesus seems to be shamed by both his intimate followers and his enemies.
It is difficult to understand why this master of riposte in the rest of the Gospel
remains mute in the passion story.
On the one hand, he wins eminent Mediterranean cultural honor by dying with a
degree of manliness (machismo) which impresses the pagan centurion (15:39). On
the other hand, there is no denying that crucifixion was a shameful punishment
reserved for criminals such as those at Jesus’ left and right (15:27).
Our Mediterranean ancestors in the faith who understood honor and shame perfectly
perceived these conflicting aspects of the story quite clearly.
But a closer reading of the story demonstrates how the Mediterranean shapers
of this passion tradition intended to show that Jesus turned the shameful experience
into something very honorable.
The woman who anoints Jesus (14:3-9) anticipates the honor that has to be omitted
at his burial (15:46). In his agony, the dutiful son honorably pledges to do
the will of his Father no matter how repulsive (14:36).
At the inquisition by the chief priests and the Sanhedrin, the “false” charge
(14:58-64) of Jesus’ messianic identity is an ironic statement of his true honorable
status.
In his meeting with Pilate the procurator, Jesus “the King” holds a
higher status and therefore behaves with cultural correctness in ignoring Pilate,
an inferior (15:2-5).
Those who mock him also honor him ironically (15:16-20).
And the fact that God raises Jesus from the dead confirms this honor in a way
no human accolade ever could (16:1-8). Mediterranean readers see in the passion
story an ironic pronouncement of Jesus’ true honor.
Pain and Suffering
Unimpressed with honor and shame, Western readers tend to focus on Jesus’ intense
physical suffering: scourging, crowning with thorns, crucifixion.
In Western culture, pain and suffering are experienced by the body and therefore
should be avoided and eliminated. Why didn’t Jesus avoid it? What did he hope
to gain by suffering?
In contrast, Jesus and his culture shared the beliefs common to the entire ancient
world since the time of Aristotle. The soul, not the body, feels pain and suffering,
and therefore they can never be eliminated but only alleviated. Stoic, Pythagorean,
Jesus and all ancient responses to pain are based on that belief. By bearing
his excruciating suffering in Mediterranean manly fashion Jesus demonstrated
filial obedience to his Father.
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John J. Pilch is a biblcal scholar and facilitator of parish renewals. Liturgical Press has published fourteen books by Pilch
exploring the “cultural world” of the Bible.
Go to http://www.litpress.org/ to find out more.
Copyright © 1996
by The Order of St. Benedict, Inc., Collegeville, MN.
All rights reserved.
Used by permission from The Liturgical
Press, Collegeville, Minnesota 56321
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The complete text of the above article can be found in:
The Cultural World of Jesus, Sunday by Sunday, Cycle B
John J. Pilch. The Liturgical Press. 1996. pp. 64-66.
Art by Martin Erspamer, O.S.B.
from Religious Clip Art for the Liturgical Year (A, B, and C).
Used by permission of Liturgy Training Publications. This art may be reproduced only by parishes who purchase the collection
in book or CD-ROM form. For more information go to: http://www.ltp.org/
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